This is a course about the sometimes turbulent history of Russia and
its imperial lands over the last two or three hundred years. It
is a history that is integral in the education of any twenty-first
century person who hopes to have a grasp on the recent history of the
world, the violent course of the twentieth century, and much
else. We will attempt to understand Russian "cultures" on their
own, and we will really try to get beyond the kind of superficial
knowledge that has passed for public awareness of Russia in the Western
world for the last couple of hundred years.
Texts
(Optional Purchase on this
book--an online version is available)
Ivan Turgenev.
Sketches from a Hunter's Album # Publisher:
Penguin Classics (December 10, 1990)
# ISBN-10: 0140445226
# ISBN-13: 978-0140445220 (the version featured online at Project Gutenberg
translates the title as A
Sportsman's Sketches.) Alexsandr Solzhenitsyn. The
Gulag Archipelago # Harper Perennial
Modern Classics (August 7, 2007) # ISBN-10: 0061253715 # ISBN-13: 978-0061253713
Robert Conquest. Harvest
of Sorrow # Oxford University
Press, USA (November 12, 1987)
# ISBN-10: 0195051807
# ISBN-13: 978-0195051803
David Remnick. Lenin's
Tomb : The Last Days of the Soviet Empire # Vintage (April
26, 1994)
# ISBN-10: 0679751254
# ISBN-13: 978-0679751250
We will also be reading one book on the web, Walter Moss' Alexander II and His Times (see URL
below), and a number of other assignments online.
There will also be three movies shown outside of class. If you
cannot make them, they will be available for viewing in the library,
but in such cases, you will need to drop by my office for a brief
discussion, so that I can be assured you saw the film. The films
will be among the testable materials of the course.
Course Components
Midterm Exam
15
Final Exam
20
Projects (2 @ 20%)
40
Class Reading Quizzes
15
Individual Book
10
Final Grade:
% 100
The "writing" assignments for Hist 343 will consist of two extensive
projects, at least one of which will be a research paper of about 10
pages of text, described below. The second project must take a
different
form, designed in consultation with me. See below for more
details.
For the exams, you will need to bring a bluebook or two (available in
the bookstore). I may have you trade bluebooks just
before the test. YOU MUST WRITE IN INK, AND ANY ERASURES OF
ERASABLE INK WILL DISQUALIFY THE TEST. NEATNESS DOES NOT
COUNT: JUST MARK OUT WHAT YOU DON'T WANT READ AND GO ON.
Finally, leaving the classroom during the test is permitted only in
case of dire emergency.
Attendance, Late Assignments, and Academic Integrity
You need to come to class. After more than four absences, you
run the risk of being dropped from the course with a failing
grade (see AC Bulletin, p. 60).
This course will follow the policies on academic integrity laid out in
the Environment and other official college publications. Please
read these guidelines carefully; we will follow them strictly.
Academic honesty is absolutely essential. This means: no
cheating. If you are ever in doubt as to what constitutes
plagiarism, please feel free to come by and discuss the question with
me, or any other faculty member for that matter. We will also be
talking about this when we get to the paper assignments. On the
plagiarism issue, just remember: whenever you use someone's words
or ideas, you must tell that you have used them. You must give
credit where credit is due.
There will be a penalty for late papers, usually five points per day.
Individual Book
You will choose one
outside book to read on your own sometime during this class. You
must get the book approved with me for credit, and you will have to
take an oral exam over the book to get credit for it. This must
be done by last week of classes. It counts 10%. You will
get full credit if you pass the oral reading exam. Otherwise, you
will have to retake the test. Ultimately, if you run out of time
before the semester is over without having passed the reading quiz, you
will lose the whole ten percent. Choosing the book is part of the
assignment. I will help give direction after you have worked on
this, but I will not choose the book for you.
Web Links of Special Importance for Us
AlexanderPalace.org An outstanding history site by Bob
Atchison, who lives in Austin. There are numerous books,
exhibits, and links about late Imperial Russia. You will want to
look around. http://www.alexanderpalace.org/
From Beyondbooks—these are selected documents and exhibits on
Alexander II and his times http://www.beyondbooks.com/eur12/2e_link.asp
The web-exhibit "Beyond the Pale" is especially important.
The Cold War International History Project. http://www.wilsoncenter.org/index.cfm?fuseaction=topics.home&topic_id=1409
This site is full of primary and secondary sources on the Cold War,
many from the Russian perspective. This is a project of the
prestigious Woodrow Wilson International Center for Scholars.
The National Security Archive http://www.gwu.edu/~nsarchiv/
is maintained by scholars at George Washington University. There
is some excellent primary material here made up of declassified
materials from the NSA and other American intelligence
agencies--including a lot pertaining to the Cold War and Russia.
Oct 7—Civil War and the New Russia.
Look carefully at the commentary and images in an online
exhibit from the Smith College Museum of Art, "Godless
Communists." The introduction is here, with links above to "from
the curator" and "background" (this one with five subheadings).
Please look at all of this material before or after you view the eight
images: http://www.smith.edu/artmuseum/exhibitions/godlesscommunists/index.htm
and the eight included online images (with specific comments) are: http://www.smith.edu/artmuseum/exhibitions/godlesscommunists/overview.htm
Oct 9--No Class.
Dec 2—The New Russia. Lenin's
Tomb, 277 to the end.
Dec 4—Russia and the New World Order.
Final: Dec. 11, 9:00am.
Research and Writing Assignments
For the following two projects, you
must see me by the end of September to work out your own schedule for
turn-in dates. Then you must adhere to the schedule that you have
proposed. As I will repeat below, you must do these projects in
consultation with me.
YOU WILL BE WORKING ON TWO DIFFERENT KINDS OF RESEARCH/INTERPRETATION
PROJECTS THIS SEMESTER. ONE will be of a kind that most folks
taking an upper-level history course understand easily. This will
be a research paper on a topic chosen in consultation with me. It
should be at least 8 pages long (or in word length--2,000 words),
typed, double-spaced. There should be footnotes or endnotes, not
any form of internal citation. You should include a
bibliography. The style should accord with the Chicago Manual of
Style, and there is more info on this here:
http://www.wisc.edu/writing/Handbook/DocChicago.html
Please be aware that footnote citations and bibliography citations are
constructed differently.
Some other requirements: the pages must be numbered, though we
don't number the first page of the essay. The title page is not
numbered, nor is it counted as one of the nine pages. Passive
voice constructions should be kept at minimum in the paper. In
quoting, remember to
TAG or attribute your quotations in the text: don't just rely on
the footnote to give that information to the reader. These and
other matters I discuss in class will most definitely impact the grade
you receive on the paper.
In your study, you must identify a very specific topic, develop a
thesis concerning this topic, and demonstrate the thesis by analyzing
evidence. This must be more than a broad essay. It should
be a small research paper. The due date for the paper will
be assigned individually, depending on the topic.
THE SECOND KIND OF ASSIGNMENT will be much more unusual. You will
be called on to do an extensive project, equal in scope to the paper
described above, but one of a non-traditional nature. I am
extremely interested in some kind of presentation that will use other
media than paper-writing, but which will nonetheless involve analysis
of primary materials, or at the very least, unusual ways of conveying
history in some depth to the public. This could be an internet
site. This could be a performance, with commentary. This
could relate to music or art. Or it could be some kind of
reconstruction of important events based on primary documents. It
could be a short movie, or a documentary, if you have a video-camera
and iMovie on your computer. It is up to to you to decide the
form of your presentation. You may form a team of other class
members, but if so, you must delineate clearly to me what parts of the
project each student is responsible for. All this must be done in
consultation with me.
I would prefer that you do the paper first and the other project
second, since we will be reading, viewing, and hearing all kinds
of non-traditional sources this semester, but if you can talk me into
it, I might be willing allow you to do the other project first.
Indeed, I might allow you to do two of the non-traditional projects
instead of paper/unusual project. I will not allow you to do two
papers, however.
In your study, you must identify a very specific topic,
develop a
thesis concerning this topic, and demonstrate the thesis by analyzing
evidence. This must be more than a broad essay. It should
be a small research paper. The due date for the paper will
be assigned individually, depending on the topic.
The essential element will be analysis. If you give a duet-acting
scene from Dostoyevsky, then you must frame it by giving a brief
introduction (as in UIL duet acting, except longer and more
substantial) and then perhaps lead a discussion on it. That is,
the project must help some projected audience understand a piece of
history or culture in its own context.
Note on academic journals pertaining to Russian History
Many journals containing scholarly articles on the history of Russia
are available to you. Abell Library carries the major European
history journals: The Journal
of Modern History, The
Journal of Contemporary History, Historical Journal, and The American Historical Review.
You also have available to you many articles in HTML form, or better
yet, pdf files that you can simply download and read, or download and
print and read. The best avenues for us are probably JSTOR,
Project Muse, and then simply a Wilson Web search, which takes you to
all kinds of sources. JSTOR carries, among other journals of
interest to us, the back issues of Russian
Review, which offer many articles on Russian History, and Slavic Review, the leading history
journal devoted to Russian and other Slavic history. Project Muse
carries The Journal of Cold War
Studies, Kritika:
Explorations in Russian and Eurasian History, and other useful
journals.